After starting the week unable to pick up a paintbrush for fear of what would or would not come out on canvas, these final 48 hours have given me the opportunity for redemption, and to move forward past that redemption.
I’ve envisioned a ‘rainy moment’ painting for awhile to include a mountain lake, but just hadn’t gotten to it (like many good art ideas). I started that idea, and I’m pleased so far with how it’s turning out.
As you may have read in a few previous posts about the status of progress for my 2017 in-studio artist residency, you will notice that this period of 10 days started off on a bumpy and somewhat uninspired start (except for the day trip to NYC – that was inspiring).
In the previous two days, progressed onto brushing gesso and inscribing canvas, so my goal for today is to actually start painting another ‘rainy moment’ onto a large canvas. Continue reading
Once I graduated from painter’s block to brushing gesso, my next adventure was to put paint on that black gesso. I had been contemplating an urban night rain series of photos for awhile now, so this week is a good time to start experimenting with what method would be most effective for an urban night rain scene.
I’m on day 4 of an in-studio artist residency in order to focus on exploring the next direction in my ‘rainy moments’ series.
I have a confession. Continue reading
At around this time last year, I had decided that I was going to take 10 days off of everything else just to focus more intensively on my art, and on the next direction for my art. A good portion of the work created in the “Abstracted Rainy Moments” series of paintings took place during that in-studio artist residency.
I decided that I needed to do it again, and that I wanted to make this an annual practice. Continue reading
RACHEL BRASK STUDIO 