Today I woke up early at 7am and rolled out of bed by 7:30, and was up in the studio by by 8am. I made my tea and some cereal while I touched up yesterday’s blog posts to publish this morning.
I checked in on the painting that I created last night, to see how the drips had fallen. I was relatively pleased to see that the drips had resulted in places on the canvas that relatively worked with my master plan, but there were other places on the canvas that the drips left too much of the background dots exposed. So I picked up my paintbrush and used it to add some more paint to those areas and to smooth out and blend up and down the drips all over the painting.
Then took another blank canvas, so that I can start a new painting. so I worked on affixing hanging wire to the back of the canvas and then I set up a means of hanging them. Then I set up a new triple rain gutter for use under the new second canvas.
I took a lunch break and sat on a bench outside overlooking the woods, taking in the sun and breeze and to get some fresh air outside of the studio. I noticed a little building off in the woods, I’m not sure what it was but it made for a cool photo. Then I went back in to get ready to start putting paint on the new second canvas. For this painting, I chose a color palette that is a bit outside my comfort zone: for most of my rainy paintings I use color to portray the season or landscape chosen for the artwork, but this one started with all grays and browns. As I’m working towards creating several paintings that respond in color or composition to the artwork of Tammy Tappan, who I’ll be co-exhibiting with at a show in Italy in June. Tammy’s general color palette tends to be much more earthy tones of grays and browns and umbers and siennas, with little selective pops of blue or orange here and there. While I am looking at one or two of her works for this painting of mine, I have a feeling that this one is just a warmup to using these tones a bit more in my responsive work to hers.
I mixed up a variety of greys into umbers into browns with more of a copper or reddish undertone to them, to yellow ochre and a muted yellow. As I started putting the earthy toned colors on my canvas, I didn’t really have an idea of what I was going to paint. I rather let my brush roll loosely over the canvas, coming up with some loose mountains feeling, and then as I put more and more colors an daubs on the underpainting, the forms of receding mountains, with the the slightest hint of a blue river running through them, but not as the center all focal point, just running off to the side minding its own business.
I took a dinner break to reheat some pizza from a couple days ago, and continued painting. At some point in painting this composition I was just feeling stuck, with a little mix of cabin fever. So I decided to just take a drive to Provincetown, not really with any agenda, just to get out of the studio, get a change of scenery, fresh air, etc. I drove along Route 6 until there was a turn for Route 6A, which ran more along the coast and some of the beach resorts were along that route. I pulled over at one point where there were a little outcropping that I could get a 360 view of the marsh, so that’s what I did, along with snapping a few photos. Then I got back in the car and drove down along Commercial Street, which was relatively quiet with only a handful of people walking the sidewalks and most of the shops and galleries still closed for the winter season. I continued on to return back to the Edgewood Farm campus. Along the way I stopped at Savory & Sweet Escape, one of few food places nearby that was open. I went in and viewed their extensive pastry case, and decided that the peanut butter mousse pie was calling my name. True to form, the pie was utterly amazing, the perfect light and smooth peanut butter mousse that I had hoped it would be, and it’s a sort of mini-pie, so I can have a little bit of it over the course of a few days instead of one sitting (thought that may have been tempting).
Returning back to the studio, I felt refreshed and ready to take on the painting that I had started. Now the flow of painting came back and I was in a groove for a while, getting a lot accomplished. I was just about to the point where I would have started making the painting rain as my last act for the night (it was around 11pm), but my eyes were getting really watery and foggy, making it difficult to keep them over just to finish the pointillism part of the painting. So I thought this was my body telling me that it’s more important that I get to sleep, rather than trying to force the next rain technique phase of the painting. I will instead apply the rain effect to this painting in the morning, as the oil painting should still be wet enough to still glide along the canvas with the stand oil.
I applied one last swift blending all along the first red rainy painting, and then turned in to bed for the night.